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Background Noise in: The Force Awakens

Screenshot of Rey and Finn running from a tie-fighter

 

Normally I like a bit of punnage in the title, but I couldn’t think of a good one this time, my apologies.

So I’ve been to see the force awakens. I don’t think the below’s going to be terribly spoilery unless you’re an art nerd like myself.  Just in case though, stop here if you haven’t seen it yet.

 

 

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Okay, you’ve been warned.  Shall we press on?

One of my pet peeve’s in cinematic design is the recent trend towards the overuse of the visual noise used to kick environmental realism up a notch. We have a long pushed towards making scenes and backdrops lush and complex in order to make them feel like they are actual places. Like they are lived in.  The original Star Wars, Episode IV, was one of the first to make their universe feel really lived in. Spaceships were worn and dirty, robots had rust marks, random bits of sprue and geometric shapes could be seen littering the backdrops and worlds. Occasionally a random creature would wander through the establishing shot. It began a new way of looking at environments as characters (okay, not wholly new, Jim Henson and Co. laid some of the groundwork, you got me there.)

But the addition of wear and tear did not mean they had allowed their backgrounds to become busy. There is balance within the shot.  Background information is conveyed in layers of gray on gray on blacks, rather then each individual object being distinct and easy to recognize. Objects are vague, without an actual purpose to attach them to.  It conveys the impression of depth without giving us enough detail to linger and be confused.

The Star Wars prequels made the mistake of becoming self involved. The environments were glorious, hugely, delightfully detailed.  They are what you get when you allow your environment designers to pour all of their love into a project. But the environment designers are not supposed to be the guiding eye of any given scene.  They build their piece or pieces with an eye towards making that single part the best it can be.  They will build you something so beautiful it can make you weep, but once you throw characters into that environment everything changes. From a cinematic perspective it was easy to lose track of the action in those films, sometimes you had to hunt for the characters in scene. It gave you a more “real” world, but at the cost of the story.

The Force Awakens has taken lessons from both the classic Star Wars and the CGI heavy prequel. They still have enormous set pieces, epic scale architecture that reminds us just how small these characters are against the backdrop of the world, but the detail is dimmed by elements like atmospheric perspective, by thoughtful use of color and contrast (and often lack of contrast). There is just enough to tell you that the detail is there, but not so much that you spend all of your time trying to pick your characters out against it.

In TFA this extends to a depth that I have not seen very often in modern cinema. There are scenes in the film where stormtrooper battles take place in front of dark environments, the bright white of their suits making it easy to follow the action.  We see black empire ships silhouetted against the light sandy dunes of an alien world. The visual design is very thoughtful and goes along way towards enhancing the viewing experience.

Sea Change – new science fiction

GalaxysEdge01

See, one of the coolest things about having my own blog is I can plug my own stuff here :)  For those of you who didn’t know, I’ve just had a short-story published in the September edition of “Galaxy’s Edge” magazine.  They leave the online version up for 60 days, after that you can only get it in print form (you can get a subscription through Amazon if you’re looking!)

You can find it at www.galaxysedge.com.

Set it and Forget it

TeslaRecharger

http://techcrunch.com/2015/08/06/for-realz/

 

Some day I will own a Tesla.  That’s a given.  Not sure how I will actually, you know, pay for it, but a gal can dream, right?

As cool as this is, though, I’m seeing only half of the equation here. Something Tesla doesn’t usually forget.  The people half.

Humans like to f*ck with stuff. I’m not speaking of our innate desire to break open the housing and see the glowy flashy bits, but rather our inability to just leave something alone.  To set it and forget it, because we know, we KNOW, deep in our brains, that the one time we don’t double-check, is the one time something will go wrong and we will burn our house down..

Imagine, if you will, pulling into your garage in your shiny shiny e-car, pulling the parking brake and walking away.  No muss, no fuss.

You can’t do it, can you.

You’re going to end up standing there, every time, just to make sure your magic snakey-charger plugs in properly.  At first, it will be because it’s just so *cool*, but then you’ll find you just don’t trust it.  What if, this time, you parked an inch too far to the left?  What if one of the connectors doesn’t seat right?  Your palms will itch with the desire to just plug the d*mn thing in YOURSELF and be done with it.  And if you *do* walk away, you’re going to come back, just to make sure, even if it’s two in the morning and you’ve woken in the middle of the night.

Because there are some things we just cannot let go of.

 

 

Wherever you go, there you are….

http://arxiv.org/pdf/1505.06311v1.pdf

There is a lot of unused power and cleverness out there right now.  I don’t think that this is a new thing, but rather that the tools are better, getting them out and available is easier.  It’s entirely possible to track a person via their wireless/wifi access, but its not anywhere as easy (or pretty) as what you see on CSI.  You may be dealing with multiple networks, multiple sources you have to go through to get data.  It is, quite nearly, an impossible task for a human person to tackle without the support of computer driven search software, and even then, if a person is crossing lines, if they are moving between networks for one reason or another, it adds levels of complexity that may take days to solve.

There are no words.

nimoy

LLAP, Leonard Nimoy.