Visual Design in Jupiter Ascending

A visual statement on just how small this story is compared to the scope and scale of the universe…

I’ve talked about the “fragmentation“ problem in cinematic design before on this blog. The fact that, in pursuit of ever more fantastic environments we have begun pushing levels of irrelevant detail in television and film, to the point where the ability of the viewer to follow the action in the scene becomes compromised.

Sumptuous visual design without overwhelming the eye of the audience.

In the above image we have a fantastically detailed costume and an equally fantastically detailed environment with thousands of digital actors providing a sea of visual noise. It would be very easy for Kunis to get lost in a shot like this. However, throughout the scene we can clearly see her resolved against that background. Part of this success is due their use of depth of field; everything beyond Kunis (no matter how pretty) has been blurred out. We get an impression of the presence of that detail without needing to waste time and brain-power on trying to “see” it. The other factor here is that Kunis’ dress is entirely in the “cool red” spectrum of color, even the whites are tinted cool pink, which sets her apart from the “warm” colors used in the rest of the environment (as we know, setting a cool color in a warm background gives a similar, but subtler effect to using colors opposite on the color wheel, blue versus yellow, for example).

Color selection and lighting help hilight Kunis (whose reactions are the most important element in this scene).

In the image above, we again have a sea of texture in the pattern in the floor and the candles that line the walk. Stack on top of that, the complex patterning of the character’s costumes and you have the potential for a visual mess. If you half-close your eyes, you can see it all rather blur together, BUT again we have the forethought of the visual design team to thank. Kunis is the one receiving the revelations of her history here, so her reactions are the single most important thing is this scene. To that end, they have again placed her in “cool reds” against a warmer, yellower background so that she is easy to track. In comparison the yellow dress and the complicated hair detail on Middleton make her almost a part of the scenery, whereas Kunis face and hair are unadorned and the play of light skin and dark hair gives us the greatest point of contrast (thereby directing the eyes right to her face).

Love it, or hate it, Jupiter Ascending is a master class in the art of directing the eye in modern VFX design. The environments are so richly detailed that it would be easy for the cinematographer, director and set designers to go at cross-purposes and end up with, essentially, a hot visual mess. But, through careful application of depth of field and use of light and color, the filmmakers have avoided one of the most common problems in special-effects spectaculars.

In this film, no piece of art is so sacred that it cannot be blurred or otherwise subverted in-service of the greater visual narrative. Even in the busiest scenes with vast cities in the background or thousands of digitally inserted characters in the wedding hall, when combined with the strength of the art direction and visual design, this film is a textbook example of how to “do it right“ in an era when “more” is almost always the order of the day.

Big Data and Bespoke Experiences

“The information is then wiped from our system…” is the promise of Alibaba’s new robot-hotel chain, where guests must provide biometric (in the form of facial recognition) information in order to get access to their rooms. The company promises that the guests information will be wiped from the system, but let’s face it, it never is. This isn’t some high-tech insider information I’m imparting here. This is simple observation of the numerous times that a data breach has revealed that information that was supposed to have been deleted was hoarded on a server somewhere. So why do people engage with digital services that collect this data? Why are people sharing all kinds of personal information and biometrics in the service of “convenience” and “frictionless transactions”.

Line drawing of a service robot
Companies are banking on robots being able to offer a bespoke consumer service.

Part of the attraction of ANY service is that your experience with it as a consumer evolves over time. You go to the same bar after work every Friday night? The bartender is going to learn and know your name and your favorite drink. Stay at the same hotel every time you travel to Schenectady to visit your parents? Guess what, they’re going to remember you too (and that towels keep mysteriously going missing from your room.) In a purely physical form, this has emerged in the form of various reward systems (buy three bagels, get the fourth free, for example).

This familiarity over time is part and parcel of delivering a recurring service to people. It’s okay when humans do it to humans, right? The fact the Jim the Barista recognizes you on sight is a comfort rather than creepy. But when a computer does it, it becomes a conspiracy. It becomes “Big Data”. It becomes, as we are told, yet another form of control rather than a convenience.

This is the big disconnect that those who sound alarm bells bout data collection and aggregation are missing. Almost daily I encounter rants and discussions about the ethical collection of information, about how we’ve allowed our homes to essentially be wiretapped through our screens and devices. And generally, they all end with something like “wake up sheeple”. But what they all miss is that these devices and services are, ultimately, tapping into a long-ingrained comfort system. It’s not that people are not aware that their information is being collected, it’s that the information is being used to provide them with a more personal experience and thusly, the collection is acceptable. It’s like the old Cheers tagline “where everybody knows your name”. These online services and devices are simply a continuation of that understanding of how hospitality works best.

 In order to provide the best possible service to a customer/client, data must be collected. This goes the same for the guy tending bar at Cheers and the web-service you buy your bespoke knitted socks from. The big difference to you as a consumer is that the guy at the bar is a dead-end, the information may go out in gossip and casual conversation, but it’s not going anywhere else. In the case of the little web-service, that’s a different story. That information may (depending on who they are using to provide their services to you) be polished, anonymized and added to a much larger pool of data out there. Or it may be stored online so they know just who you are and how many pairs of pink-cherry alpaca socks you bought from them. In either case, you get a warm fuzzy whenever you reconnect with that bar or service.

So what you are fighting against, if you truly want to change the minds of all those “sheeple” who are willingly sharing their personal information willy-nilly all over the internet, is THAT feeling. You’re not fighting an idea, or a sense of security or even a lack of digital education. When you can marshal a way to counter that feeling of bespoke, the warm fuzzies that come with feeling like a service *knows you* the way your favorite supermarket checker does, then and only then will you have a way to bring data sharing back under control on the consumer side of things.

AWARD ELIGIBILITY POST

So it’s that time of the year again, when the voting periods open for all kinds of spiffy SF/F awards. Now, let’s be honest, I’m fairly new to this field as a pro (but certainly not as a fan) so anything I write is going to be up against works by authors with a list of publication credits as long as their arm (or longer, in some cases).

In the era of internet self-promotion, it’s nearly impossible for a writer to sit back and wait for discovery. In fact, I’d wager discoverability is just as hard for new and upcoming authors as it is for a brand-new indie app in the Apple store.

I have two pieces published for you to consider. Both were released in May 2018 as inaugural pieces by indie publisher imprint “Strange Fuse”.

https://www.amazon.com/dp/B07CKTYRS8

WISHES FOLDED INTO FANCY PAPER,
a novelette length piece of science fiction (a little more “social sci-fi” than my usual pew-pew with robots stuff).

https://www.amazon.com/dp/B07CKYXT1M

THE GOPHERS OF HIGH CHARITY
a novella-length fantasy about the adventure that sets two street urchins on the path to becoming classic adventurers. This one’s the first in a planned series, so if you like it, keep your eye out for more in 2019.